Wednesday, July 31, 2013

Famous Photographers

Here is a list of successful professional Photographers:

You might want to check them out for your Blog assignment!


Ansel Adams
Diane Arbus
Margaret Bourke-White
Bill Brandt
Julia Margaret Cameron
Henri Cartier-Bresson
Larry Clark
Robert Doisneau
Max Dupain
Rennie Ellis
Anne Geddes
Bill Henson
Frank Hurley
David LaChapelle
Dorothea Lange
Annie Leibovitz
Sally Mann
Tracey Moffat
David Moore
Lewis Morley
Steve Parish
Man Ray
Leni Riefenstahl
Herb Ritts
Sebastião Salgado
Matthew Sleeth
Andy Warhol
Helmut Newton
Norman Parkinson
Anthony Armstrong Jones

Tuesday, July 30, 2013


Here is a guide when it comes to using shutter speeds. Utilise the column that looks at ASA of 400. That is the speed of our film at Aquinas. 

Sunday, July 28, 2013

Well all,
It has been an interesting week as technology came crashing down around our ears. Luckily the subject of Photography is not ruled by the Network.
SO here are some of the topics we covered in class as well as important dates to remember and things to inspire your creativity!


Processing a negative







Most of you were set the challenge of removing a negative from its canister, winding it onto a spool and securing it in a light sensitive container all from the frustrating confines of a black bag! It was harder than it looked and it something that you only get good at with practice. Next double lesson after you have taken photos you will the learn the process of developing negatives ready to print.
Things to Remember:
- Unlike photographic paper, undeveloped negatives can not be exposed to ANY light (red or otherwise).
- It is important to try and keep your fingers off the negative as you are winding it on to the spool.
- In order to wind it easily on the the spool you must cut the end of the film so you have a straight edge.
- The best method when following this process is to line up all your equipment in the black bag in order of its use.

In the Darkroom




In the dark room we went through the parts of the Photographic Enlarger (something you are going to be tested in in a couple of weeks). We then learnt how to make photo grams using everyday objects, placed on photographic paper and exposed to light. It is important to note that many objects are were more transparent to light than originally thought including the human hand! It was also interesting to see the difference in clarity when experimenting with different exposure times.



Photo grams can be a very beautiful approach to experiment with because of the detail they capture and the ghost like quality of the end result. This feather photo gram would have been exposed to light  for a very brief period of time because of the transparent nature of the object.

Important: One thing I forgot to cover when going through the parts of the Photographic Enlarger is that on the lens there is an F-stop that controls to Aperture of the enlarger. Just like the function on the camera you can set the light window of the lens depending on the exposure of your negative. If your original photograph was over exposed you may want to increase the F-stop on the the Enlarger to reduce light passing through the negative and onto the photographic paper. A standard F-stop on the Enlargers is F8.


The Masters of Photography

This week we looked briefly at Margret Bourke White (1904-1971).Born in American to Polish-Jewish parents she originally was a architectural photographer.  After the outbreak of WWII she became a woman of many firsts; she was the first woman to work officially as war correspondent; she was the first woman allowed into conflict zones; she was the first woman allowed into the Soviet Union after the Germans invaded in 1941 and she was the first photojournalist employed by Life magazine in New York. Her imagery evokes powerful emotions depicting the atrocities of war. She was also a passionate advocate against Racism and recorded powerful images of Gandhi when he went on hunger strikes as a form of peaceful protest.

Genres of Photography: Photojournalism

Photojournalists aim to communicate as much as they can about a story through their images usually evoking an emotional response and stimulating a relationship between the subject and the viewer. We briefly examined the history of photojournalism, the different types of photojournalism that exist and they type of impact they can have on their audiences. We looked at examples of Hard News Photojournalism, Feature Photojournalism, Sports Photojournalism and Environmental Portraiture.
It is important when we travel through the different genres of photography that you try to to absorb the language that you use to talk not just about the technical elements of a photograph but the message and impact it has.

Things that might interest you

- Check out this short film on Photojournalism. Warning some of the images are confronting.
http://www.youtube.com/watch?v=XONXeUndHl8

- One of my best mates, her brother Adam Ferguson is one of Australia's most promising young Photojournalists at present. Check out his works at; http://www.adamfergusonphoto.com/

- If you are interested in doing Portraiture as your style focus for you portfolio you might like to check out this simple technique results in a very creative portrait.
http://www.youtube.com/watch?v=WAiEhOhr5l0


Important Dates to Remember

  • Monday 12th August - IN CLASS: Camera and Photographic Enlarger Test
  • Friday 13th September - Photography Blog DUE
  • Monday 16th September- Skills Task DUE
  • TERM 4 Date to be confirmed - Photography Folio- Part One DUE


     

Saturday, July 20, 2013


Hello Aspiring Young Photographers
This little blog is designed to be a valuable resource to begin your journey into the fascinating world of photography. Every week this blog will recap the important ideas covered in class, give you tid bits of info, fun facts and links to lead you to resources that will help to inspire your own creativity and build on your base knowledge.

In week one we briefly explored the history of photography from the ancient origins of the Camera Obscura to the first modern Kodak Brownie Box roll film camera in 1901.
We looked at the Exposure Triangle and discussed the role and relationship of each element.





Important to Remember:

  • Aperture is the widow of the lens. The bigger the window the more light can hit the image sensor. The wider your window the shallower the Depth of Field in your image. The aperture is measured in a series of F-stops and the higher the number the smaller the aperture.
  • Shutter Speed works with the Aperture to allow light into the camera sensor. It controls the amount of time the light is allowed to expose image to the sensor. If you are taking photos in low light you will need a slower shutter speed but this is risky as it heightens the chance that your image will blur.
  • ISO or ASA as labeled on our cameras refers to the light sensitivity of the camera's sensor. You always set your ISO to the same speed as your film. In our case 400. If it is too high your image will have a lot of "noise" and appear grainy. 
 
 

 Image attributed to Flickr.com
 
 

 

Here are the links to the films we watched in class. Check them out, there might be one your class didn't get to see:
-The Daguerreotype: Photographic Processes 
 
-The History of the Kodak Brownie
 
-A Brief History of Photography: Innovations in Chemistry
 
 
 

The Masters of Photography



Sunday Copyright Henri Cartier-Bresson
The two famous Photographers that were mentioned in class: Nadar, born Gaspard-Félix Tournachon and Henri Cartier-Bresson both French and both pioneers in the field. Nadar specialised in Portraiture photography where he tried to capture his subject's moral personality rather than beauty, shot in a studio setting. His contemporary Bresson was concerned with capturing the human spirit in day to day life. Bresson is one of the founding fathers of modern photojournalism.

Sarah Berhardt Copyright Nadar


 
 
 

You were asked to consider: 



The difference between colour and black and white. When selecting a style and beginning your design process it is imperative that you take into consideration the medium of black and white photography. This will mean careful consideration of light and texture in your compositions. And never fear colour can be the major focus of your digital works next term if you have a passion for it.





Consider these two pictures. The same image but with very different effects
.Photo from TikPix.org