Saturday, August 24, 2013

Assignment Example

A few people have been unsure as to what is expected for the Blog/ Visual Diary task. See an example of an entry below:




This photograph by Sally Mann is an example of the rule of thirds. The focus of the photo is the young girl, holding a cigarette and looking at the camera. She stands where the horizontal and vertical axis intersect. Together with the use of light, her positioning creates a powerful image. I found this photo moving. Her placement in the frame draws attention to her stance, the expression on her face and the cigarette, all things that are the opposite of someone her age. They belong to that of an adult not a 10 year old.

 

Hello Photographers!

You have all learnt a lot in the last 2 weeks. Here is a quick run down on some of the points:
  • The purpose of making a test strip before you make a proof sheet of all your negatives is to see which is best time to expose your negative onto the photographic paper. You do this by exposing your photographic paper small strips at a time in 5 second increments.
  • When you are developing anything you always begin with a Filter 2# in the photographic enlarger.
  • Once you have made the test strip you expose your whole negative sheet for the ideal time. The proof sheet allows you to see all your  photographs "in mini" and from here you can choose which ones you want to develop into prints.
  • On your proof sheet each photo will look different because each frame you took will have had varying light conditions.
  • If your negative looks pale it means that your photos may be over-exposed. in order to counter-act this in the development process you may need to experiment with stronger filters and varying apertures on the photographic enlarger.
  • Experimentation with filters can also increase the contrast of dark and light tones in your prints.
  • If your negative is quite dark then it means that it could be under-exposed which will require a larger aperture on the enlarger (remembering that the smaller the number eg 4.5 the larger the aperture) and longer exposure time on to the photographic paper.
  • To make a single print you place your chosen negative in the negative holder of the enlarger, lining your chosen shot up with the window. You then set your enlarger at the correct height (standard photographic size is 12.7cm wide & 17.8cm long) with your easel. Then you focus your image. The you follow the same process as before making a test strip of the single print, this time in 3 second increments. From this you choose the ideal exposure time and develop a single print.
  • Again you may need to experiment with the aperture and filters to get the best result.

Tuesday, August 6, 2013

Hi all
As promised here are the diagrams that you will be tested on next Monday (12/8). Study them over the weekend. All the information regarding the functions of the camera is contained in earlier posts on this blog. It is important to note that you will be leaving your iPads at the door for this part of the lesson. If any of you are feeling unsure or need clarification on any aspects of this task please come and see me or send me an email. Enjoy Retreat!



For the enlarger you will need to remember the following from this diagram:

 Lamp/ light source, Filter Drawer, Height Adjustment Lever, Negative Carrier, Enlarging lense, Focusing Knob & Baseboard

 
 
 



From this diagram you will need to be able to label the following parts

 AND explain their functions: Lens, Shutter speed indicator, ISO selector, F-stops (also known as the Aperture Ring), Focus Ring, Rewind Lever, Film advance & Shutter button.

Wednesday, July 31, 2013

Famous Photographers

Here is a list of successful professional Photographers:

You might want to check them out for your Blog assignment!


Ansel Adams
Diane Arbus
Margaret Bourke-White
Bill Brandt
Julia Margaret Cameron
Henri Cartier-Bresson
Larry Clark
Robert Doisneau
Max Dupain
Rennie Ellis
Anne Geddes
Bill Henson
Frank Hurley
David LaChapelle
Dorothea Lange
Annie Leibovitz
Sally Mann
Tracey Moffat
David Moore
Lewis Morley
Steve Parish
Man Ray
Leni Riefenstahl
Herb Ritts
SebastiĆ£o Salgado
Matthew Sleeth
Andy Warhol
Helmut Newton
Norman Parkinson
Anthony Armstrong Jones

Tuesday, July 30, 2013


Here is a guide when it comes to using shutter speeds. Utilise the column that looks at ASA of 400. That is the speed of our film at Aquinas. 

Sunday, July 28, 2013

Well all,
It has been an interesting week as technology came crashing down around our ears. Luckily the subject of Photography is not ruled by the Network.
SO here are some of the topics we covered in class as well as important dates to remember and things to inspire your creativity!


Processing a negative







Most of you were set the challenge of removing a negative from its canister, winding it onto a spool and securing it in a light sensitive container all from the frustrating confines of a black bag! It was harder than it looked and it something that you only get good at with practice. Next double lesson after you have taken photos you will the learn the process of developing negatives ready to print.
Things to Remember:
- Unlike photographic paper, undeveloped negatives can not be exposed to ANY light (red or otherwise).
- It is important to try and keep your fingers off the negative as you are winding it on to the spool.
- In order to wind it easily on the the spool you must cut the end of the film so you have a straight edge.
- The best method when following this process is to line up all your equipment in the black bag in order of its use.

In the Darkroom




In the dark room we went through the parts of the Photographic Enlarger (something you are going to be tested in in a couple of weeks). We then learnt how to make photo grams using everyday objects, placed on photographic paper and exposed to light. It is important to note that many objects are were more transparent to light than originally thought including the human hand! It was also interesting to see the difference in clarity when experimenting with different exposure times.



Photo grams can be a very beautiful approach to experiment with because of the detail they capture and the ghost like quality of the end result. This feather photo gram would have been exposed to light  for a very brief period of time because of the transparent nature of the object.

Important: One thing I forgot to cover when going through the parts of the Photographic Enlarger is that on the lens there is an F-stop that controls to Aperture of the enlarger. Just like the function on the camera you can set the light window of the lens depending on the exposure of your negative. If your original photograph was over exposed you may want to increase the F-stop on the the Enlarger to reduce light passing through the negative and onto the photographic paper. A standard F-stop on the Enlargers is F8.


The Masters of Photography

This week we looked briefly at Margret Bourke White (1904-1971).Born in American to Polish-Jewish parents she originally was a architectural photographer.  After the outbreak of WWII she became a woman of many firsts; she was the first woman to work officially as war correspondent; she was the first woman allowed into conflict zones; she was the first woman allowed into the Soviet Union after the Germans invaded in 1941 and she was the first photojournalist employed by Life magazine in New York. Her imagery evokes powerful emotions depicting the atrocities of war. She was also a passionate advocate against Racism and recorded powerful images of Gandhi when he went on hunger strikes as a form of peaceful protest.

Genres of Photography: Photojournalism

Photojournalists aim to communicate as much as they can about a story through their images usually evoking an emotional response and stimulating a relationship between the subject and the viewer. We briefly examined the history of photojournalism, the different types of photojournalism that exist and they type of impact they can have on their audiences. We looked at examples of Hard News Photojournalism, Feature Photojournalism, Sports Photojournalism and Environmental Portraiture.
It is important when we travel through the different genres of photography that you try to to absorb the language that you use to talk not just about the technical elements of a photograph but the message and impact it has.

Things that might interest you

- Check out this short film on Photojournalism. Warning some of the images are confronting.
http://www.youtube.com/watch?v=XONXeUndHl8

- One of my best mates, her brother Adam Ferguson is one of Australia's most promising young Photojournalists at present. Check out his works at; http://www.adamfergusonphoto.com/

- If you are interested in doing Portraiture as your style focus for you portfolio you might like to check out this simple technique results in a very creative portrait.
http://www.youtube.com/watch?v=WAiEhOhr5l0


Important Dates to Remember

  • Monday 12th August - IN CLASS: Camera and Photographic Enlarger Test
  • Friday 13th September - Photography Blog DUE
  • Monday 16th September- Skills Task DUE
  • TERM 4 Date to be confirmed - Photography Folio- Part One DUE